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Victoria Haven: Rauschenberg Residency

19 October, 2019
Victoria Haven, O, a9 (m series), 2019; acrylic on paper; 30" x 22 ½"

Victoria Haven is an artist-in-residence at the Rauschenberg Residency on Captiva Island, Florida. Congratulations, Victoria!

About the Residency: The Rauschenberg Residency is inspired by Rauschenberg's early years at Black Mountain College where an artistic community brought out elements central to his art, collaboration, and exploration. The residency advances new work, extends practices into new mediums, and serves as a research and development lab for performance-based projects. It fosters the ideal that artistic practice advances mutual understanding and engenders a focus on the conservation of a sensitive and pristine environment and integration with the local surroundings. Events designed to connect the local and regional community with the artists in residence may include an open studio of works in progress, outreaches by residents, and on-site activities/tours held in partnership with schools and arts and environmental organizations.

The harmonious juxtaposition of natural landscape, modern and adaptable studios, and idyllic housing provides a perfect backdrop for the artistic process. The spirit of Robert Rauschenberg is everywhere.



Marie Watt: Artist-in-Residence at Tacoma Glass Museum

18 September, 2019
Marie Watt, in(compatibility): Guide, 2017, glass and Czech seed beads, 12" x 6" x 6"

Marie Watt will be an artist-in-residence at the Tacoma Museum of Glass in Tacoma, WA, from Wednesday, September 18, 2019 - Sunday, September 22, 2019.

In addition to the residency, Marie Watt will be giving a lecture at the Tacoma Museum of Glass on Sunday, September 22, 2019 at 2:00 pm.

Tacoma Museum of Glass
1801 Dock Street
Tacoma, WA 98402

Watch the work being made live: https://www.museumofglass.org/experiencemog


Storm Tharp: "What Needs to Be Said" at The Hallie Ford Museum of Art

14 September, 2019
Storm Tharp, "Cadre," 2017; ink, fabric dye, spray paint, acrylic paint, and charcoal on paper; 126" x 214"

Storm Tharp is exhibiting at The Hallie Ford Museum of Art as a part of the Hallie Ford Fellows in Visual Arts exhibition, "What Needs to Be Said," curated by Diana Nawi. Of Storm's work, Diana Nawi writes, "... Storm Tharp's 'Cadre' (2017) contains a quality of pathos, communicated through dynamic gesture and bodies and visages that make visible sentiment and sensation. For Tharp, seriality yields both juxtaposition and cohesion. While a breadth of gestures is contained in this suite of thirty-six works on paper, ranging from total abstraction to clear figuration, from grinding black lines to washy inks, together they form an expressive, almost linguistic set of images that holds contradiction and grace side-by-side." ('What Needs to Be Said,' Diana Nawi, Hallie Ford Museum of Art, Willamette University, 2019, Page 17)

Congratulations, Storm, and thank you to The Ford Family Foundation for their generous support of Oregon Artists through the Hallie Ford Fellowship program!

September 14 - December 20, 2019

Hallie Ford Museum of Art at Willamette University
700 State Street
Salem, OR 97301

Tuesday - Saturday
10:00 am - 5:00 pm

Sunday
1:00 pm - 5:00 pm


Marie Watt: Lecture at Frye Art Museum

19 September, 2019
Marie Watt, "Companion Species (Sapling/Flint)," 2019; reclaimed wood blankets, thread, and Czech glass beads; 12" x 14"

Marie Watt will be giving a lecture at Frye Art Museum as a part of the "In Focus: Contemporary First Nations and Native American Women Artists and Curators Lecture Series.”

Thursday, September 19, 2019
7:00 pm

Frye Art Museum
704 Terry Avenue
Seattle, WA 98104

Lecture information: "What would the world look like if we thought of ourselves as companion species? Marie Watt doesn’t pretend to have the answer to this question, but her work does seek to forge relationships and reveal aspects of our connectedness to one another, to animals, and to the natural world. Rather than presenting her extensive body of work in chronological order, Watt will piece together themes in a way that might resemble sewing together a blanket.”

https://fryemuseum.org/calendar/event/7245/


Gus Van Sant: Recent Paintings, Hollywood Boulevard at Vito Schnabel Projects

12 September, 2019

Vito Schnable Gallery,
43 Clarkson Street
New York, NY 10014
"Vito Schnabel Projects will present Gus Van Sant: Recent Paintings, Hollywood Boulevard, an exhibition of new works by Los Angeles-based artist and auteur Gus Van Sant (b. 1952, Louisville, Kentucky). On view will be a series of large-scale watercolors on stretched linen that collapse dreamlike impressions of urban Los Angeles with specific narratives inspired by the people and events Van Sant has observed since establishing his home in the city in the 1970s.

Recent Paintings, Hollywood Boulevard is Van Sant’s first solo painting exhibition in New York.

Admired internationally as a filmmaker, painter, photographer, and musician, Van Sant received his BFA from the Rhode Island School of Design in Providence in 1975. Since that time his studio painting practice has moved in and out of the foreground of a multi-disciplinary career, becoming a priority again over recent years. Van Sant’s work in different mediums is united by a single overarching interest in portraying people on the fringes of society. In this exhibition, dreamlike hybridized scenes depict male nudes in shimmering, fractured cityscapes—obscure objects of desire whose presence suggests a mythological dimension hovering within the everyday world.

Many of the paintings on view in the exhibition feature a solitary young man striding past, standing before, or slumping beside a driverless automobile. Roads, buildings, vehicles, and body parts dissolve into one another, yielding a persistent sense of displacement that is heightened by Van Sant’s palette of pale pastels punctuated by deftly placed lines and spots of vivid color. Defined brushstrokes and carefully rendered details give way to veils and washes on linen, resulting in a deceptively gentle mien that seduces and then confounds. The erotic and unsettling effects of these scenes recall the words of Van Sant’s multi-disciplinary predecessor, the filmmaker, painter, poet, novelist, designer, and playwright Jean Cocteau: “I’ve always preferred mythology to history. History is truth that becomes an illusion. Mythology is an illusion that becomes reality.”

Van Sant’s work has been the subject of solo exhibitions at the Musée de l’Elysée in Lausanne, Switzerland, Le Case d’Arte in Milan, Italy, and the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, among others. He has participated in numerous group exhibitions since the 1980s, presenting drawings, paintings, photographs, video works, and writing. Among Van Sant’s many internationally acclaimed feature films are Milk (2008); Elephant (2003); Good Will Hunting (1997); My Own Private Idaho (1991); and Drugstore Cowboy (1989)."


Jeffry Mitchell exhibits at the Victoria and Albert Museum

4 September, 2019

September 4 - May 10, 2020
"Blanc de Chine, a Continuous Conversation"
Featuring historic and contemporary ‘Blanc de Chine’ - white porcelains made in Dehua, China.


Thursday, September 5, 2019 – Sunday, May 10, 2020 


10.00 – 17.30 


Ceramics, Room 146 & China, Room 44 


This display showcases historic pieces from the V&A’s Asian and European ceramics collections, as well as a selection of new works by contemporary makers including: Babs Haenen, Lucille Lewin, Liang Wanying, Jeffry Mitchell, Su Xianzhong, and Peter Ting. Retelling the story of porcelain-making in Dehua, this display will build a bridge between the past and the current, tradition and innovation, and breaking the boundary of Chinese and non-Chinese ceramic practices.


Jeffry Mitchell: Snowflake Drawing #5 (Double Lotus Pod) Acquired by the Frye Art Museum

5 August, 2019
Jeffry Mitchell, Snowflake Drawing #5 (Double Lotus Pod), 2018, graphite, ink, carbon transfer, and watercolor on paper, 36" x 24"

This work by Jeffry Mitchell was recently accepted into the permanent collection of the Frye Art Museum through a two-year acquisition partnership between the Seattle Art Fair and the Frye Art Museum. Congratulations to Jeffry Mitchell and the three other artists selected!

“To support not only local artists but also the galleries of our region that sustain their careers is a privilege.” —Joseph Rosa, Director and CEO of the Frye Art Museum

https://seattleartfair.com/About/Announcements/2019_08_05_SAF-x-Frye-Ar…