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James Lavadour Awarded a Hallie Ford Fellowship by The Ford Family Foundation

19 June, 2019
James Lavadour, "Both Directions at Once", 2018, oil on panel, 90" x 102"

Congratulations to PDX CONTEMPORARY ART represented artist James Lavadour who was named a Hallie Ford Fellow alongside Corey Arnold, Niraja Cheryl Lorenz, Jess Perlitz, and Sharita Towne! Thank you to The Ford Family Foundation for their generous support of Oregon artist and our art ecology through important gifts like the Hallie Ford Fellowship.



Nancy Lorenz: Shimmering Flowers at Berkshire Botanical Garden

1 June, 2019
Nancy Lorenz, Field, 2018, gold leaf and clay on wood panel, 84" x 120"

Nancy Lorenz’s solo exhibition 'Shimmering Flowers' will be on view at the Berkshire Botanical Garden in Stockbridge, MA, from June 1- September 30, 2019. The exhibition focuses on the artist’s lacquer boxes and works on panel, in addition to new works in bronze. The bronze pieces in the show will display ikebana arrangements in collaboration with floral designers at the garden throughout the exhibition.


Ellen George and Jenene Nagy exhibit in the Bellingham National 2019

2 February, 2019
Jenene Nagy, heavy sunshine 1, 2017, graphite on paper, 68 1/2" x 43 1/2"

PDX CONTEMPORARY ART is pleased to announce Ellen George and Jenene Nagy’s participation in the Bellingham National 2019, Water’s Edge: Landscapes for Today, juried by Bruce Guenther and on view at the Whatcom Museum in Bellingham, WA.

February 2 - May 19, 2019

Whatcom Museum
Lightcatcher Building
250 Flora Street
Bellingham, WA 98225

https://www.whatcommuseum.org/exhibition/bellingham-national-2019/



Ellen George: Review on Visual Art Source by Richard Speer

11 May, 2019
Ellen George, "FAN SUITE (SPD-79", 2019, silverpoint, gold point and gouache on panel, 4 1/4" x 4 3/4"

“Although some works are vividly hued (there are some particularly sumptuous purples and blues), mostly the palette confines itself to dusty rose, grays, eggshell tones and washed-out greens. A sun-bleached quality permeates this body of work, as if the whole lot had been left out to cure for months or years under the glare of high-desert light.” -Richard Speer

Ellen George’s exhibition, “I begin with a thin line” was reviewed by Richard Speer on Visual Art Source.

www.visualartsource.com/index.php?page=editorial&pcID=17&aID=5170


Susie J Lee: State of the Art Documentary on PBS

26 April, 2019
Susie J Lee, "The Fracking Fields: Johnny", 2013, high definition video portrait

Susie J Lee was one of a select few artists to be interviewed about her work from the State of the Art exhibition at Crystal Bridges Museum of American Art. Premiering tonight, the documentary focuses on seven artists from the exhibition who are representative of what is being made now in America. Congratulations, Susie!

Watch tonight, Friday, April 26th on PBS
9pm EST/ 6pm PST



Terry Toedtemeier: Sun, Shadow, Stone Exhibition, Portland Art Museum

15 March, 2019

Sun, Shadows, Stone: The Photography of Terry Toedtemeier
MAR 9 – AUG 4, 2019

Lifelong Oregonian Terry Toedtemeier (1947 – 2008) was a dedicated photographer, photography teacher, and the Portland Art Museum’s first curator of photography. His many notable professional activities—from cofounding Portland’s Blue Sky Gallery to rapidly growing the museum’s photography collection—never took away from his deep passion for making his own photographs. Toedtemeier’s artistic legacy is explored in Sun, Shadows, Stone, the first exhibition to feature works from all phases of his career.

A self-taught photographer who studied geology in college, Toedtemeier began experimenting with the medium during the 1970s, focusing on his friends and colleagues as subjects. By the 1980s he attracted wider critical attention through his landscape images, which were influenced by his deep understanding of both the photography traditions of the American West and the land’s underlying geology. He traveled throughout Oregon, paying particularly close attention to the Columbia River Gorge, the coastline, and the arid southeast, enthralled by the diversity of terrain contained within the state’s borders. Digital and color photographs created shortly before the end of his life demonstrate Toedtemeier’s ever-present willingness to experiment and see anew through the
camera’s lens.

Organized by the Tacoma Art Museum and curated by Rock Hushka, TAM’s Deputy Director and Chief Curator. Curated in Portland by Julia Dolan, Ph.D., The Minor White Curator of Photography.