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This exhibition is in conjunction with the Photolucida conference.
Amjad Faur's work is an exploration of the photographic process in conjunction with the symbolism of the Middle East. Working with the photographically reproduced image and the contingency of its readings in recent time, Faur touches on the "harsh realities of appropriation, displacement and spatial elasticity, [which] have all come to define the political, geographical and psychological impermanence of occupied Palestine." His current body of work, Bethlehem in Wax, is an investigation into these relationships. The resulting images are informed by historic and cultural depictions of the Middle East and at the same time are inquiries into the nature of the photograph and its place within contemporary art. Faur's pieces rely on constructed sets to reveal the unseeable. They tread a path between the traditional Islamic prohibition of representational imagery and the contemporary contesting of photography's empiricism.