Susie J. Lee
The Fracking Fields: Max
2013 high-definition video portrait 47 1/2" x 29" Available
Means to an End: Method 4.0 ( Susie J. Lee and Joe Freeman)
2016 digital pigment print 37" x 59 1/2" Available
Creation (PDX Small Bronze Series)
2018 bronze 5" x 5 3/4" x 8 1/4" Available
The Fracking Fields: Amber
2013 high-definition video 47 1/2" x 29" Available
The Fracking Fields: Atom
2013 high-definition video portrait Available
The Fracking Fields: Carpenter
2013 high-definition video portrait 47 1/2" x 27" Available
The Fracking Fields: Dave
2013 high-definition video 47 1/2" x 29" Available
The Fracking Fields: Jake
2013 high-definition video portrait Available
The Fracking Fields: Jason
2013 high-definition video portrait 47 1/2" x 27" Available
The Fracking Fields: Johnny
2013 high-definition video portrait 47 1/2" x 27" Available
The Fracking Fields: Kid
2013 high-definition video portrait 47 1/2" x 27" Available
The Fracking Fields: Young Trucker
2013 high-definition video portrait 47 3/8" x 29 1/8" x 4 1/4" Available
Trucker
2013 high-definition video portrait 47 1/2" x 27" Available
Statement
A fluid, highly collaborative practice reflects our contemporary restlessness, blurred boundaries and expanded definitions of art. I am particularly drawn to projects that fuse physicality and time with technology, connecting what we hold onto and what we let go. Sculptural objects, live performances, installations, video portraits and social orchestrations explore vulnerability and amplify humanity through technology. A machine wants to be a priority in someone’s life; light is drawn on a dancer's body; portraits reveal enduring age; light becomes a rain shower of memory. Artists and technologists speed date; shadows fill an empty space; and a social app brings civilized flirting to the dating space. Each work begins to shape the ephemeral and intimate energy between people in a voice that is introspective, conceptual, and relentlessly generative.
CV
lee-cv.pdf