Support System
Flower Web
2020 found photographs on paper 28" x 20 ½", 33" x 25 ½" (framed) Available
Selector
2020 found photographs on paper 15 ⅝" x 24 ½", 20 ⅝" x 29 ½" (framed) Sold
Dancing Monument
2020 found photographs on paper 10 ⅛" x 6 ½", 15 ⅛" x 11 ½" (framed) Sold
Abstract Sculpture
2021 found photographs on paper 14 ⅝" x 10 ⅜", 19 ⅝" x 15 ⅜" (framed) Sold
Bouquet
2021 found photographs on paper 49 ⅞" x 35 ½", 56 ⅞" x 42 ⅞" (framed) Sold
Monument to Something New
2021 found photographs on paper 28" x 20 ½", 33" x 25 ½" (framed) Sold
Blue Sky
2020 found photographs on paper 50 ⅛" x 38 ⅛", 57 ⅛" x 45 ⅛" (framed) Sold
Cake
2020 found photographs on paper 34 ¼" x 31 ½" Sold
Group Portrait
2020 found photographs on paper 50" x 40", 57" x 47" (framed) Sold
Trophy
2020 found postcards on paper 22" x 14", 27" x 19" (framed) Sold
Support System Installation View
2021 Available
Support System Installation View
2021 Available
Support System Installation View
2021 Available
Artists
Statement
I’ve been making photographic collages with hopeful and positive imagery as a response to the challenges and darkness the world has faced this past year. They are composed of personal snapshots from a diversity of sources and time periods and combined into single unified forms. There is a cake, a blue sky, and a bouquet of flowers, among other idealized imagery. These new unified images are held together on an invisible grid that references both the ancient Mesopotamian mosaic and the modern photographic pixel. Cutting a photograph into fragments disassociates the image from its context, rendering it more material than image. In this framework, I am curious to explore the question, how can the materials of the past reframe our understanding of the present?