still—moving
still—moving installation image
2021 Available
still—moving installation image
2021 Available
still—arriving
2021 linen and silk thread 16" x 16", 20" x 20" (framed) Available
still—casting
2020 linen and silk thread 15 ½" x 15 ½", 20" x 20" (framed) Available
still—humming
2020 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Sold
still—turning
2020 linen and silk thread 16" x 16", 20" x 20" (framed) Sold
still—forming
2021 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Available
still—flickering
2021 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Sold
still—watching
2021 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Available
still—vanishing
2021 linen and silk thread 15 ½" x 15 ½", 20" x 20" (framed) Available
still—falling
2020 linen and silk thread 15 ½" x 15 ½", 20" x 20" (framed) Available
still—opening
2020 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Sold
still—asking
2019 linen and silk thread 15 ½" x 15 ½", 20" x 20" (framed) Available
still—tending
2021 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Sold
still—holding
2020 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Available
still—moving
2019 linen and silk thread 15 ½" x 15 ½", 20" x 20" (framed) Sold
still—drifiting
2019 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Available
still—waiting
2019 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Available
still—shimmering
2019 linen and silk thread 16" x 16", 20" x 20" (framed) Sold
still—longing
2019 linen and silk thread 15 ¾" x 15 ¾", 20" x 20" (framed) Available
still—whorling
2020 linen and silk thread 16" x 16", 20" x 20" (framed) Available
still—spinning
2020 linen and silk thread 15 ½" x 15 ½", 20" x 20" (framed) Sold
Artists
Statement
still—moving brings together a series of intricately-stitched textiles and a text-based video projection. This constellation of artworks charts a period of suspended time and stalled movement, shaped by a changing relationship to distance and to spaciousness and to living with the unknown.
Matter takes form. Things flow into order. Time passes. Each new work spins into being. I want to bring something to the surface, something I sense is only accessible in the making. It is imperceptible and yet it emerges, slowly, like a quiet alphabet I must learn with my hands.
The objects that I make are restless. They resist completion. They are still—forming, flickering, opening, turning, asking, watching—arriving at an ever-present moment. They are markers of unmarked and immeasurable time. Like unwitting filters, these works absorb many unnamed reference points, influences, and feelings. As the stitches and marks accrue into forms, their coherence and sensibilities become evident. I hesitate to name them, and as I do, they elude their names. This sense of aliveness—this desire to create in ways that feel reciprocal and mysterious—compels me. Even after my part in the making is done, I keep listening for what else these still, moving objects might say.