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18 April, 2026
Nathan William Lambdin Wisteria, 2024 baa wood, fiberboard and house paint 15” x 42” x 7”

Nathan William Lambdin will be in the gallery Saturday, April 18, from 1-3 pm. Please stop by to see say hello and walk-through his show, Inhabitations with the artist.

Nathan will be available to discuss more about his process & approach to this body of work.


2 April, 2026
Marie Watt Printing Circle

Please join artist Marie Watt at this free and open to the public printmaking event at the Oregon State Capitol!

Experiment, play, and learn how to make pressure prints with Marie Watt and professional printmakers! Together, we’ll create personal prints and optionally contribute to a future community-generated artwork for the art collections of The Confederated Tribes of Grand Ronde and the Oregon State Capitol. If you would like to donate your plate (or a print), it will be quilted together with other prints to make a larger composition that, like democracy, will explore the relationship between part and whole, individual and community, call and response.

Participants will be able to take home their prints as well as a reciprocal gift of a limited edition print created by Marie Watt. 

* Take your print home the same day
* No experience necessary
* All ages welcome
* Come and go as you wish
* Bring a friend and invite others!

This project is a collaboration with Mullowney Printing and is made possible by Oregon’s Percent for Art in Public Places Program, managed by the Oregon Arts Commission. 


Space is limited! Please click HERE to RSVP.


19 March, 2026
James Lavadour, Blanket, 2005, oil on panel, 72" x 150"

James Lavadour's work is included in Stretching the Canvas: Ten Decades of Native Painting on view May 15 through Spring 2027 at the National Museum of the American Indian in Washington DC.

"Stretching the Canvas: Ten Decades of Native Painting explores how Native artists challenged perceptions of what constituted art and what Native art could and should look like. Featuring more than 50 works by 46 artists, this exhibition tells the story of how American Indian art expanded after World War I and how Native painters began to advocate for themselves in a world that often ignored their talent. Artists such as Fred Kabotie, Tonita Peña, and Stephen Mopope carved out space for painting at a time when Native art was often dismissed. Later generations—including Jaune Quick-to-See Smith, Kay WalkingStick, Fritz Scholder, James Lavadour, Jeffrey Gibson, Dyani White Hawk, and Athena LaTocha—expanded the field even further, embracing a wide range of approaches. Over the span of ten decades, these artists and their work demonstrated the breadth, complexity, and continuing expansion of Native self-expression."

More information HERE


11 March, 2026
Tad Savinar, Stage, 2025, digital print, edition of 12, 20” x 26”

Tad Savinar was interviewed by Brian Libby for Oregon ArtsWatch. Read the conversation discussing his current show and his multidisciplinary career HERE.

Tad Savinar’s exhibition 2025: A Logbook Through Darkness remains on view through March 28.


27 February, 2026
Oregon ArtsWatch, D.E. May’s ‘Postcards from Islandsalem’: Not what art means, but what it does The Hallie Ford Museum of Art's expansive exhibit through March 21 of the late Salem artist's enigmatic work can stop you in your tracks, Review

D.E. May's retrospective exhibition D. E. May: Postcards from Islandsalem was reviewed in Oregon ArtsWatch.

D. E. May: Postcards from Islandsalem remains on view at the Hallie Ford Museum of Art through March 21, 2026.

Read the full review HERE



21 February, 2026
Installation view of Marjorie Dial, Materia Anima at Helzer Gallery, PCC Rock Creek. Photograph by Mario Gallucci

Marjorie Dial's exhibition Materia Anima at PCC Rock Creek's Helzer Gallery was reviewed in Oregon ArtsWatch by Prudence Roberts.

"Marjorie Dial: Eloquence of the archetype

The ceramics and prints in "Materia Anima" at PCC Rock Creek's Helzer Gallery channel millennia of ritual and material memory."

Read the review HERE

 

 


Image: Watt, Marie, (Native American, Seneca, 1967), Companion Species (Mother), edition 7/20, 2017, softground etching, aquatint, and drypoint, 16 1/2 x 22 1/4 in. Sheet, 19 1/8 x 24 7/8 in. Frame, Collection of Jordan D. Schnitzer© Marie Watt

Marie Watt’s traveling solo exhibition, Storywork: The Prints of Marie Watt, From the Collections of Jordan D. Schnitzer and His Family Foundation, opens at the Utah Museum of Fine Arts February 21, 2026 – June 21, 2026

More Infomation HERE