Ferocious Mothers
December 2, 2020 to January 2, 2021
Natalie Ball Jessica Jackson-Hutchins:
Ferocious Mothers Installation View
2020 Available
Ellen Lesperance:
Ferocious Mothers Installation View
2020 Available
Natalie Ball:
Clickety-Clack
2020 leather, horsehair, beads, cotton, cowry shells, acrylic, canvas, and wood 16" x 12 ½" x 8" Sold
Natalie Ball:
Clickety-Clack (detail)
2020 leather, horsehair, beads, cotton, cowry shells, acrylic, canvas, and wood 16" x 12 ½" x 8" Sold
Natalie Ball:
Clickety-Clack (detail)
2020 leather, horsehair, beads, cotton, cowry shells, acrylic, canvas, and wood 16" x 12 ½" x 8" Sold
Natalie Ball:
My Grandma was a Jerky Princess.
2019 leather, cardboard, wood, horsehair, deer rawhide, clay, acrylic, wig, and beads 45" x 13" x 8" Available
Natalie Ball:
My Grandma was a Jerky Princess. (detail)
2018 leather, cardboard, wood, horsehair, deer rawhide, clay, acrylic, wig, and beads 45" x 13" x 8" Available
Natalie Ball:
When Harry met Sally. I mean, when my Mom met my Dad. I mean, when my Ancestors met my Ancestors. I mean, when a Lace Front met a Smoked Skin.
2018 beads, elk hide, wig, cotton, metal, and Skookum dolls 35 ½" x 10 ½" x ¾" Sold
Natalie Ball:
When Harry met Sally. I mean, when my Mom met my Dad. I mean, when my Ancestors met my Ancestors. I mean, when a Lace Front met a Smoked Skin.
2018 beads, elk hide, wig, cotton, metal, and Skookum dolls 35 ½" x 10 ½" x ¾" Sold
Natalie Ball:
Mama Bear III
2020 five-color lithograph with archival inkjet chine-collé, edition of 18 29" x 36", 34 ½" x 41 ¼" (framed) Sold
Natalie Ball:
Mama Bear IV
2020 five-color lithograph with archival inkjet chine-collé, edition of 18 32 ½" x 23", 38" x 28 ⅛" (framed) Available
Jessica Jackson-Hutchins:
Death Shroud For Us
2005 papier mâché, wood pole, courtesy Adams and Ollman gallery 95" x 64" x 42" Sold
Jessica Jackson-Hutchins:
River Rail
2020 glazed ceramic, pencil, acrylic, ink, and flashe on canvas, courtesy Adams and Ollman gallery 12" x 10" x 3" On Hold
Maya Lin:
Blue Wave
2020 Crystal 1 1/2 x 14 x 14 1/2 inches 3.8 x 35.6 x 36.8 cm, Courtesy of the Artist and Pace Gallery, New York, Photography by Tom Barratt On Hold
Heather Watkins:
waiting
2018 transfer drawing on hand-dyed paper 8 ½" x 12" Sold
Heather Watkins:
waiting (verso)
2018 transfer tissue 8 ½" x 12" Sold
Heather Watkins:
wanting
2018 transfer drawing on hand-dyed paper 8 ½" x 12" Sold
Heather Watkins:
wanting (verso)
2018 transfer tissue 8 ½" x 12" Sold
Ellen Lesperance:
Wounded Amazon (for Sandra Bland II)
2017 gouache and graphite on toned cyanotype, courtesy Derek Eller Gallery 42" x 29 ½", 44 ¾" x 33" (framed) Sold
Ellen Lesperance:
Short Amazon with Panther Pelt
2014 glazed stoneware and pigmented slip,courtesy Derek Eller Gallery 10 ¼" x 4" x 4 ⅜" Sold
Ellen Lesperance:
The Classics
2014 glazed stoneware and pigmented slip, courtesy Derek Eller Gallery 11" x 6" x 4" On Hold
Ellen Lesperance:
Fighting Amazon
2014 pigmented slip on terra cotta and dyed silk, courtesy Derek Eller Gallery 11" x 5 ¼" x 5 ¾" On Hold
Ellen Lesperance:
S.O.S. Femen (Kiev)
2014 pigmented slip on terra cotta, courtesy Derek Eller Gallery 11" x 4" x 4" On Hold
Ellen Lesperance:
Cri de Couer (for Nancy Spero)
2014 glazed stoneware and velvet, courtesy Derek Eller Gallery 12" x 5 ¼" x 4 ¾" On Hold
Marie Watt:
untitled
2019 glass 14 ⅛" x 9 ½" x 9 ½" Available
Marie Watt:
Marker: Moon
2011 wool blankets, satin binding, thread 13 1/2" x 14", 20 5/8" x 21 1/4" (framed) Sold
Marie Watt:
Companion Species (Sapling/Flint)
2019 reclaimed wool blankets, thread, and Czech glass beads 12" x 14", 19 1/8" x 21 1/8" (framed) Sold
Senga Nengudi:
Mountain Moving Day
2002 Available
Natalie Ball:
Ferocious Mothers Installation View
2020 Available
Statement
PDX CONTEMPORARY ART presents the work of women artists who have managed to make art, and build successful careers, while being attentive mothers. This is not an easy task, particularly today.
It takes strong belief in the value of their art, a strong will to produce it, and a strong heart for their families.