I suppose I have always been drawn to the non archival. The work I do may not be here forever, but it will probably see us out. In the truest moments, I don't look at the work as something I made. I see it as something that has been here all along.
I am concerned with time and temperature and tars and resins and climates. And Regions. Stains. The color of glue. Random marks of a traveled space. The role of water. Then, there are times I look down at the worktable, and I would just like to remove history.
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Last name
May
Untitled (GLASS)
ink, colored pencil, graphite and masking tape on continuous form paper
11" x 13 7/8"
Available
Untitled (Mill Race w/ Footbridge)
pattern paper, colored pencil, and graphite on found paper
17 5/8" x 23 1/2"
Available
Untitled
ink, colored pencil, tape and graphite on a xerox copy of found ledger paper
12 1/16" x 8 7/16", 13 3/4" x 11 1/8" (framed)
Available
Untitled (Waterborne market)
ink, graphite and found images on continuous form paper
14 7/8" x 43 15/16"
Available
Untitled
ink, colored pencil and tape on a xerox copy of found ledger paper
6 7/8" x 8 7/8", 9 1/8" x 11 1/2" (framed)
Available
Untitled (GLASS)
ink, colored pencil, graphite and masking tape on continuous form paper
11" x 13 7/8"
Available
Untitled (Mill Race w/ Footbridge)
pattern paper, colored pencil, and graphite on found paper
17 5/8" x 23 1/2"
Available
Untitled
ink, colored pencil, tape and graphite on a xerox copy of found ledger paper
12 1/16" x 8 7/16", 13 3/4" x 11 1/8" (framed)
Available
Untitled (Waterborne market)
ink, graphite and found images on continuous form paper
14 7/8" x 43 15/16"
Available
Untitled
ink, colored pencil and tape on a xerox copy of found ledger paper
6 7/8" x 8 7/8", 9 1/8" x 11 1/2" (framed)
Available