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May 5, 2010 to May 29, 2010



These photographs are cut-up versions of polaroids which were created largely as records of people to be used in Gus’s film projects. For this show, they have been digitally reconstructed--cut up, taken apart and re-combined in uncanny, dreamlike musings on the multi-facedness of persona. At the same time, they destabilize the dialogue between viewer and image, challenging the essence of the photographic portrait, the subject as signifier for identity.