“Although some works are vividly hued (there are some particularly sumptuous purples and blues), mostly the palette confines itself to dusty rose, grays, eggshell tones and washed-out greens. A sun-bleached quality permeates this body of work, as if the whole lot had been left out to cure for months or years under the glare of high-desert light.” -Richard Speer
Ellen George’s exhibition, “I begin with a thin line” was reviewed by Richard Speer on Visual Art Source.
www.visualartsource.com/index.php?page=editorial&pcID=17&aID=5170