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Kane Do


Kane Chanh Do

1996 B.A. Reed College, Portland, Oregon, USA
1999/2000 Independent research, CCA (Center for Contemporary Art) Kitakyushu, Japan.

Solo Exhibitions
2006 M.F.A., Universitaet der Kuenste, Berlin, Germany
2000 or else, PDX Gallery, Portland, Oregon, USA
1999 I-beam, Arch, Span, & Bloom, PDX Gallery, Portland, Oregon.
1998 Alchemy, PDX Gallery, Portland, Oregon.

Selected Group Exhibitions
2006 "All American," Wilmer Hale, Berlin, Germany
2003 Arte al Centro, Cittadellarte-Fondazione Pistoletto, Biella, Italy
Influenced, PDX Gallery, Portland, Oregon.
Transit, Laforet Art Museum, Kitakyushu, Japan.
As It Is, Ikon Gallery, Birmingham, UK. (Catalogue)
Here. Now., Fukuoka Art Museum, Fukuoka, Japan. (catalogue)
Maeda Studios Exhibition, Kitakyushu, Japan.
Intervals, frames, and accelerations, Froelick Adelhart Gallery, Portland, Oregon, USA.
PDX Gallery, Portland, Oregon.
Hands on Color, Bellevue Art Museum, Bellevue, Washington.
Drawings, Meyerson & Nowinski, Seattle, Washington.
PDX Gallery, Portland, Oregon.
Blackfish Gallery, Portland, Oregon.

2006 "Word Up!," Mont Blanc International, Hamburg, Germany
2005 "Skins" (in collaboratin with Ulrike Kohnen-Zuelzer), Mural for Giuseppe Botto e Figli, Biella, Italy
2003 Almost Home (in collaboration with Jane Greengold), Sculptural commission for the Metropolitan Transportation Authority, Pleasantville, New York.

Artist-in-Residence for Uzume Theater Company's production of The King Stag by Carlo Gozzi, directed by Peter Goessner. Kitakyushu, Japan. 2000 Set and Costume for Uzume Theater Company's production of The Man Who Turned Into a Stick by Abe Kobo, directed by Peter Goessner. Kitakyushu, Japan.

2000 December 8, Tipsheet, D.K. Row, The Oregonian. 1999
April 30, editorial, The Oregonian. April 28, Kate Bonansinga, Willamette Week. 1998
January 16, Value Judgment, Randy Gragg, The Oregonian. January 6, Beauty and Sadness, D. K. Row, Willamette Week.