Vanessa Renwick, founder of the Oregon Department of Kick Ass, will be presenting two shows of her films "Portrait #1 Cascadia Terminal" and "Medusa Smack" with musician Tara Jane ONeil playing the score live at the Centre Pompidou in Paris and Centre Pompidou/Metz. She also will screen a selection of films that she curated of contemporary Portland artists, as well as a curation of her own short films.
From the 19th to the 29th April 2012, at La Gaîté Lyrique and the Centre Pompidou in Paris, the Centre Pompidou-Metz and Le Lieu Unique in Nantes.
PDX Contemporary were our art fair neighbors all weekend...
Read moreJanuary 19th - April 7th 2013
"Third Person" a solo exhibition of paintings and sculptures by Storm Tharp will be in both the renown museum building designed by I. M. Pei as well as the new Milstein Hall, designed by Rem Koolhaas.....CLICK ON IMAGE FOR MORE INFORMATION
http://museum.cornell.edu/exhibitions/storm-tharp.html
Read moreWorks by Marie Watt in “Unsuspected Possibilities” at SITE Santa Fe...
Read moreOpening October 1, 2016...
Read moreNancy Lorenz's solo exhibition, Moon Gold, reviewed in The San Diego Union-Tribune ...
Read moreStorm Tharp’s pieces Cadre and Wolves at the Door are a part of the the exhibition What Needs to Be Said: Hallie Ford Fellows in the Visual Arts, on display at Disjecta Contemporary Art Center in Portland, Oregon. The exhibition features works in a variety of mediums from thirteen of Oregon’s contemporary visual artists who have received the Hallie Ford Fellowship Award between 2014-2016, administered by the The Ford Family Foundation. The exhibition is curated by Independent Curator Diana Nawi.
Of Storm Tharp’s work, Diana Nawi writes, "... Storm Tharp's ‘Cadre' (2017) contains a quality of pathos, communicated through dynamic gesture and bodies and visages that make visible sentiment and sensation. For Tharp, seriality yields both juxtaposition and cohesion. While a breadth of gestures is contained in this suite of thirty-six works on paper, ranging from total abstraction to clear figuration, from grinding black lines to washy inks, together they form an expressive, almost linguistic set of images that holds contradiction and grace side-by-side." ('What Needs to Be Said,' Diana Nawi, Hallie Ford Museum of Art, Willamette University, 2019, Page 17)
The exhibition will be on display from February 15 through April 5, 2020.
Disjecta Contemporary Art Center
8371 N Interstate Ave
Portland, OR
97217
First Saturday Reception:
March 7, 2020
6-9pm
Gallery Hours:
Friday through Sunday
12-5pm
100% of sales will go to Crow’s Shadow Institute. Crow’s Shadow Institute of the Arts was founded by James Lavadour (Walla Walla) in 1992 on the Confederated Tribes of the Umatilla Indian Reservation. Its mission is to provide a creative conduit for educational, social, and economic...Read more
Click here to view a video walkthrough of PDX CONTEMPORARY ART's December 2020 exhibition, Ferocious Mothers:
PDX CONTEMPORARY ART presents the work of women artists who have managed to make art, and build successful careers while being attentive mothers. This is not an easy task, particularly today.
It takes strong belief in the value of their art, a strong will to produce it, and a strong heart for their families.
With Work by:
Natalie Ball
Jessica Jackson Hutchins
Ellen Lesperance
Maya Lin
Senga Nengudi
Heather Watkins
Marie Watt
FEROCIOUS MOTHERS is on view at PDX December 2, 2020 - January 2, 2021
Open by appointment Wednesday - Saturday, 10am-4pm
Jenene Nagy will be an artist-in-residence at the Jordan Schnitzer Printmaking Residency this fall. The residency takes place at the Sitka Center for Art and Ecology in Otis, Oregon.
The Jordan Schnitzer Printmaking Residency was established in 2002 to provide working artists with little or no printmaking experience the opportunity to explore a new creative medium with guidance, instruction and technical assistance from a professional etching printer, Julia D'Amario.
For more information: https://www.sitkacenter.org/sitka-artist-residency/jenene-nagy
Read moreA public reception for Watt will be held at Reed College on Monday, April 27, from 5:30 to 7:30 p.m. in the Gray Lounge of Kaul Auditorium
For each of the past 18 years, the Bronson Fund, through its confidential nomination and selection process, has honored an artist from the Pacific Northwest with a fellowship and the purchase of their work for the Bronson Collection, which is housed at Reed College and prominently displayed throughout the campus.
Read moreNovember 18, 2010 – February 26, 2011
Curated by: Gerri Ondrizek, Reed College; Barbara Tetenbaum, Oregon College of Art and Craft; and Namita Gupta Wiggers, Museum of Contemporary Craft.
The artist’s book is an object that extends work beyond the boundaries of a gallery setting. Through selections from the significant 20th century modern and contemporary artists’ books in Reed College’s Special Collections, this exhibition explores the book as an object which defies the boundaries between art, craft and design, and moves along a spectrum from a recognizable to a deconstructed form.
PICA presents Anna Gray & Ryan Wilson Paulsen in an ON SIGHT Salon at Washington High School as part of TBA:11. An informal lecture by the artists will touch upon their collaborative practice and their interest in alternate and revisionist histories. The talk will take place within the duo's 'Fix It' office where they worked at editing, redacting and manipulating September, an art historical broadside made specifically for TBA.
http://www.pica.org/festival_detail_new.aspx?eventid=772
Read more"Watkins' show is dominated by a series of poured ink works on paper … sumptuous pools of ink, which fork into thick bands and slinky rivulets … reveal[ing] her openness to chance, her willingness to permit the ink a voice in the collaboration. In that sense, Watkins' project take its cues from John Cage's methodical use of chance in creating his artworks, as well as the poured canvases of second-wave Abstract Expressionist painters such as Kenneth Noland, Helen Frankenthaler and Morris Louis."
- John Motly, The Oregonian
Read moreHeather Watkins' wood and fiber sculptures are inclued in the COCA Annual. The CoCA Georgetown Gallery is located in Suite 258 of Seattle Design Center at 5701 6th Ave S, Seattle, WA 98108, and is open Monday through Friday 9am to 5 pm. Work is on display through March 10, 2013
Read moreTraveling exhibition “We Tell Ourselves Stories in Order to Live” featuring Hallie Ford Fellows (including PDX artists Cynthia Lahti and D.E. May) opens for the final time tonight at the East Oregonian Gallery at Pendleton Center for the Arts...
Read moreThe classic concept of “Painting on Canvas” was the simple starting point for this recent series. Both the canvas and the painting inevitably became exaggerated. Canvas turned into jute, twine, and garden fencing. Painting became brushwork in relief, watergilt, and burnished.
A...Read more
Laura Fried, the Artistic Director of the Seattle Art Fair, selected Jeffry Mitchell, among several artists, to create special projects for the fair...
Read moreOpening November 3rd at PNCA and November 4th at Newspace, Anna Gray + Ryan Wilson Paulsen are featured in two part group show...
Read moreWatt: Trying something new - Prior to the opening of her new exhibit at the Rockwell Museum, artist Marie Watt has been at the Corning Museum of Glass this week to spend some time out of her comfort zone...
Read moreFinally, your problems vanish, with Miracle Cure.
Topical application, non-toxic, for external use only.
In these works tonics and cleaning agents serve as icons of metamorphosis and desire. Midst our media saturated world, brands flourish and the magical qualities of products are...Read more