Kane Chanh Do
Background
1996 B.A. Reed College, Portland, Oregon, USA
1999/2000 Independent research, CCA (Center for Contemporary Art) Kitakyushu, Japan.
Solo Exhibitions
2006 M.F.A., Universitaet der Kuenste, Berlin, Germany
2000 or else, PDX Gallery, Portland, Oregon, USA
1999 I-beam, Arch, Span, & Bloom, PDX Gallery, Portland, Oregon.
1998 Alchemy, PDX Gallery, Portland, Oregon.
Selected Group Exhibitions
2006 "All American," Wilmer Hale, Berlin, Germany
2003 Arte al Centro, Cittadellarte-Fondazione Pistoletto, Biella, Italy
2002
Influenced, PDX Gallery, Portland, Oregon.
2001
Transit, Laforet Art Museum, Kitakyushu, Japan.
2000
As It Is, Ikon Gallery, Birmingham, UK. (Catalogue)
Here. Now., Fukuoka Art Museum, Fukuoka, Japan. (catalogue)
1999
Maeda Studios Exhibition, Kitakyushu, Japan.
Intervals, frames, and accelerations, Froelick Adelhart Gallery, Portland, Oregon, USA.
1998
PDX Gallery, Portland, Oregon.
Hands on Color, Bellevue Art Museum, Bellevue, Washington.
Drawings, Meyerson & Nowinski, Seattle, Washington.
1997
PDX Gallery, Portland, Oregon.
1996
Blackfish Gallery, Portland, Oregon.
Commission
2006 "Word Up!," Mont Blanc International, Hamburg, Germany
2005 "Skins" (in collaboratin with Ulrike Kohnen-Zuelzer), Mural for Giuseppe Botto e Figli, Biella, Italy
2003 Almost Home (in collaboration with Jane Greengold), Sculptural commission for the Metropolitan Transportation Authority, Pleasantville, New York.
Theater
2001
Artist-in-Residence for Uzume Theater Company's production of The King Stag by Carlo Gozzi, directed by Peter Goessner. Kitakyushu, Japan. 2000 Set and Costume for Uzume Theater Company's production of The Man Who Turned Into a Stick by Abe Kobo, directed by Peter Goessner. Kitakyushu, Japan.
Reviews
2000 December 8, Tipsheet, D.K. Row, The Oregonian. 1999
April 30, editorial, The Oregonian. April 28, Kate Bonansinga, Willamette Week. 1998
January 16, Value Judgment, Randy Gragg, The Oregonian. January 6, Beauty and Sadness, D. K. Row, Willamette Week.