"Watkins' show is dominated by a series of poured ink works on paper … sumptuous pools of ink, which fork into thick bands and slinky rivulets … reveal[ing] her openness to chance, her willingness to permit the ink a voice in the collaboration. In that sense, Watkins' project take its cues from John Cage's methodical use of chance in creating his artworks, as well as the poured canvases of second-wave Abstract Expressionist painters such as Kenneth Noland, Helen Frankenthaler and Morris Louis."
- John Motly, The Oregonian
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